You give the paper a twist in the middle and if you read one side only you get story A and then story 1 but if you turn over you get story 1 first and then story A. How cool a Mom is that? It's got a fresh and unique take on how to tell a story, and I most definitely see why a lot of people are in love with Ali Smith's works. Your friend may be reading it the other way around. I shouldn't use a houseful of people and a daunting list of cooking chores as excuses for missing a literary point. I'm not supposed to get everything, I know that. She can capture human figures in suspended motion, and she has mastered a sense of depth that transfixes the eye. But her descriptions of the paintings were somehow inadequate.
George remembers her mother admitting to the exhilaration of being watched when she began to suspect that a friend was a spy sent by the intelligence services. For example, you may have a main character who had a traumatic childhood. The book somehow begins to escape time, to transcend it, to weave a fabric. Who is your main character? Very little is known about him though, s This wonderful, playful, beautifully written book contains two different stories. Perhaps the second story is all George's imagining since there's so little actually known about the painter, she could have free reign with her musings - even make her a woman.
Character From the beginning, the protagonist and antagonist must be introduced and clearly identifiable, even if the details of the latter are hazy. Think about who is going to populate your novel. In that section Smith's rendering of the artist's works is enough. Immense thanks to Goodreads and Pantheon for the review copy. It was great to be there - we walked the old town just as Ali Smith must have done as she followed in the footsteps of her characters, especially the fifteenth century artists Francesco del Cosse and Cosmè Tura. It meant an agreement or understand that something would not be disclosed. Francesco cannot remember certain things, such as how he died.
My second finalist book in Booker 2014 and I thought this is a notch better than Karen Joy Fowler's 4 stars. In one half of the book, we follow the story of Francescho del Cossa, a Renaissance painter in fifteenth-century Italy who assumes a duel identity, living as both a man and a woman. Reading through positive reviews of this book, what I find so wonderful is that the Francescho people and the George people are both convinced that starting with their section is the Correct way to experience this book. When I got home from my recent trip, which included my first face-to-face meeting with Cathrine in Norway, she emailed me that she'd heard from others who struggled with the section I had first that flipping to my second section first was 'easier. You may then have a character who needs an abortion but is unable to do so safely and legally in the world of the novel.
And they're both in front of our eyes, but you can only see one, or you see one first. The novel The Chrysalids by John Wyndham starts with telepathic mutants being shunned by normal society. And as it is about life, it is also about death. Georgie begins researching Cossa, seeking to learn more about him and his artwork, which has come to fascinate her like it did her mother. Likewise, if they travel a lot or go outside to a certain place frequently, maps will help keep your orientated.
Having both versions in the same file is intentional. The picture makes you look at both—the close-up happenings and the bigger picture. So they smile, nod and perpetuate the marketing jargon which makes us all think that 'How To Be Both' is the second coming of the novel, all so that their supposedly 'more learned' friends won't think them stupid. The E-mail message field is required. So, in Fransesco's story, we see George from the outside, in addition to Fransesco telling us about his life and his painting career.
I had heard about the trick with the two parts, so I skipped ahead to George's section to read that first, and that is when I fell in love with the book. These four elements can help you get a better sense of where your novel is headed, making the actual writing of the novel much easier. I loathe authors that can't be bothered to make something readable hello, quotation marks for defining speech sections. Pert… Seeing and being seen… is very rarely simple. This has a great main character in the first half, someone who understands her dead mother enough to turn mourning into an outdated dance ritual, and to stalk her mother's friend instead of going to school.
The meandering aspect of the second tale and its seemingly slapdash effect impeded my fun, despite the isolated moments of quotable and perfect thought-making that leap out from the sprightly pages. Georgie could care less about art, history, or anything else at the time, but her recollections of the trip awaken a sense of interest in art and history. This Black Moment and Plot Point 2 are integral to the pace of the plot. The artist is Francesco del Cossa, whose fresco was painted over and who soon disappeared from history. How to be Both tries to provide various answers to that question.
So, like most people these days with Google at my elbow I found this: Playful again. Most would do better to begin with the Camera section; cause it's easier to read. If you are limited for space, and are two programs popular with writers for this and other purposes. How can a loved one suddenly not exist? I fell in that trap since when I thought I was in the exact middle of the novel, I was faced with its doubling mirror. Often this is the start of the novel. This means that each reader is only capable of reading one of the stories, without having it colored by the other one.